Most of you have seen the Twitter storm surrounding the “We Need Diverse Books” campaign within the past year. At GeekyCon last month, I attended a panel titled The Page Is A Mirror, and authors spoke on the power of representation, and how we see or fail to see ourselves reflected on the page, and what we want from YA moving forward . . . more diverse books!
“It’s quite clear this data is essential, and the fact we don’t have it…problematic. This lack of information blinds diversity initiatives.”
Why do I want the big five to sign on? I teach English Language Arts to mainly eighth graders. The first day of school we discussed why as children in elementary school, they LOVED reading. Then they got to middle school, and they are in a FULL DOWNWARD SPIRAL when you ask them to read a few pages.
Holy Howling Dogs!! What went wrong?!
Many claimed they didn’t have time to read anymore. They have more responsibilities, more activities. To that end I asked how many watched reality TV and played video games on a regular basis. Almost all raised their hands. I told them they still had time to read.
But one class in particular got real. We spent 45 minutes discussing how they DID NOT see themselves reflected on the page in YA literature. They’re tired of seeing the same story over and over again. It’s the end of the world and another white girl or white boy is saving them all. All of whom are extremely good-looking. Most girls are skinny. Most guys have six-pack abs. Sure, some are poor, some live in a violent area. Maybe a few are gay. But where are the heroes with learning disabilities, physical handicaps, the ones who were physically abused by their parents, or molested by a creepy uncle, the ones who self harm to escape the real pain, the girls who weigh 150 pounds or more, the boys whose faces are covered in acne?
And I felt their pain. The first two novels I TRIED to publish? Number one was about a sixteen-year-old girl who cut herself to escape her horrific childhood, most notably a rape by a family member (*written in 2010). The second was about a biracial ballerina dealing with the prejudices of a hick town when she was forced to move there the last semester of high school (*written in 2011).
Responses from agents? Most often along the lines of, “Though these stories are important to tell, they’re hard to sell.”
Okaaay . . . so I wrote a YA romance with a paranormal twist and a love triangle. Guess what? Harlequin Teen, Sourcebooks, and TOR (a division of Macmillan) all requested the full. While I waited to hear back, I submitted to a contest on a whim and consequently, offered an immediate contract with a small publisher called Curiosity Quills.
In January 2013, CQ released the first novel in my trilogy, 18 THINGS. Two and a half years later, I feel we live in a different world. Change is in the air, and I hope the publishing industry changes with it. I hope we don’t miss this opportunity to create books teens want to read, pages that reflect them like a mirror, that speaks to THEIR experience. Imagine a world where teens rushed home to read a book instead of watch reality TV or inhale violent video games. Wow . . . what a place that would be. I’d want to live in that world.
This has been a post for the Insecure Writer’s Support Group, the brainchild of Head Ninja, Alex J. Cavanaugh. Feel free to join us the first Wednesday of every month! Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. It’s a safe haven for insecure writers of all kinds! 🙂
*This was also my post for the #BigFiveSignOn bloghop . . . it’s a busy time of year for me with the start of school, so I thought I’d kill two birds with one stone. You can sign up for that bloghop at SCWrite’s website.